About
David Anton is a London-based sound engineer and music producer with over a decade of experience in mixing, music production, and audio post.
A graduate of Abbey Road Institute, he recreated a full audio sequence from Terminator 2, including Foley, ADR, sound design, music, and both stereo and Atmos mixes.
He currently works at Warner Bros. Discovery while simultaneously leading his own artistic projects, Antillan and Anton, all produced, recorded, mixed, and mastered by him.
His approach blends collaboration, emotion, and precision in sound, crafting audio that connects both technically and artistically. He also brings an AV/UC engineering background that strengthens remote workflows, signal routing, and troubleshooting.
Education
Abbey Road Institute, London — Advanced Diploma in Audio Post Production for Film and TV (2021–2022)
T.A.S. Caracas — Degree in Audio Engineering (2001–2003)
Projects
Latest works
Foley, ADR, sound design, music composition, Dolby Atmos & stereo mix
Production, recording, editing & mixing
Production, recording, editing, mixing & mastering
Digital Audio Workstation
MacBook Pro M3 Max
Interfaces: SSL 2+, SSL 12, NEVE 88M
Studio Controller: Solid State Logic UF8
Stereo processor: Solid State Logic Fusion
Monitors: Genelec 8030A
Headphones: Sennheiser HD600, HD280
Mics: Neumann TLM 49, AKG C3000, Shure SM57
Synths: Korg Minilogue XD, Yamaha Motif-Rack ES
Studio Gear
Sofware & Licenses
DAW / Core: Pro Tools Studio 2025 (licensed)
Waves Bundle: Waves Platinum Suite, Abbey Road Vinyl, Abbey Road Chambers, Abbey Road J37 Tape, DBX 160 Compressor, NLS Non-Linear Summer, F6 Floating-Band Dynamic EQ, WLM Plus Loudness Meter
Vocal / Pitch: Autotune Pro X, Autotune Unlimited
Dynamics / Restoration: iZotope RX Suite
Virtual Instruments / Production: EZdrummer 3, Universal Audio Electra 88.
Services
Dialogue Editing & Restoration (iZotope RX)
Sound Design for Music, Podcast and Film
Mixing
Mastering for streaming (LUFS / EBU R128 compliant)
Music Production